MAR 25
MAYA DELILAH: THE LONG WAY ROUND
BY LUNA CARDOSO
Maya Delilah’s journey to becoming one of Spotify’s "Artists to Watch" for 2025 feels, in her own words, surreal. Starting at 19, she explored the unpredictable landscape of independent music, hoping to land on playlists and draw in organic listeners. Now that the industry is beginning to recognise her talent, the achievement feels gratifying and exciting—especially for a dedicated Spotify listener who enjoys making and discovering playlists.
Initially considering a medical career, she quickly realised science wasn’t her strength. Instead, she pursued her passion for music and enrolled at the BRIT School after her mother questioned, "What would Prince do?" That question became a turning point, driving her down a path she knew was right.
Her distinctive guitar technique, which involves playing without a pick, dates back to her early days of practicing finger style acoustic and banjo. Over time, she discovered that using her fingers allowed her more control and emotional depth, which became a distinctive characteristic of her sound. This organic approach applies to her songwriting, where she values teamwork. Depending on the vibe in the room, a session may begin with a jam or a concept-driven conversation, allowing the music to flow freely.
Learning by ear has also influenced her talent, making music sound more natural. She prefers to discuss concepts in evocative rather than technical terms, allowing her to show emotion and connect with her sound. That same emotional depth can be found in her debut album, which she hopes will make listeners feel at home—nostalgic, comfortable, and filled with themes of simplicity and self-discovery.
One of her current favourite tracks from the album is I'll Be There in the Morning, a deeply personal song composed in a moment of clarity. Creating the record had hurdles, particularly the need to keep a consistent sound. Finally, she accepted her various influences, allowing each song to develop its personality rather than imposing a single style.
Her track Squeeze, which combines soul, funk, and jazz, came from a spontaneous jam session during a writing retreat. Fuelled by tequila and homemade pizza, the song came together effortlessly, proving that sometimes the best music comes from moments of pure fun.
Maya's nostalgia is evident throughout The Long Way Round, from childhood memories in Maya, Maya, Maya to capturing fleeting moments in Begin Again. Some of her compositions are based on personal experiences, while others are inspired by the lives of her friends, giving layers of perspective.
Growing up in North London and dabbling in its jazz scene influenced her development significantly. The collaborative attitude of London's music scene, particularly the relationships she formed at BRIT School, continues to impact her work.
Her album artwork pays homage to classic Blue Note Records, with elements such as black-and-white photography and a fisheye lens effect inspired by hip-hop imagery. She also invented Spike, a hand-drawn mascot that appears in her lyric videos, adding a whimsical storytelling element to her songs.
Now, as she enters what she refers to as her "nostalgic season," she is reconnecting with the music that shaped her, balancing reflection with anticipation for the future. If there's one thing she's learned from making this album, it's to stop when she's said what she needs to tell—whether in words, a guitar solo, or a moment of stillness within a song.
